Showing posts with label Jahdan Blakkamoore. Show all posts
Showing posts with label Jahdan Blakkamoore. Show all posts

Saturday, December 19, 2015

Best Of 15: Reggae


Roots & Branches

Often my coverage of reggae is limited to reissues. This year, there were also several new releases that were in heavy rotation.

Guyana-born singer Jahdan Blakkamoore came to my attention via DJ Rupture's Dutty Artz label several years ago, his smooth attack an immediate attraction on mixtapes, Major Lazer songs, and his own album, the excellent Buzzrock Warrior. Now, five years later, he's back with Order Of Distinction, a lushly produced and varied collection. From the dancehall fun of Ting Tun Up to the romance of Sweetest Thing or the mournful strength of Faith, Blakkamoore covers a lot of bases with command, confidence, and a warmth that more than makes up for the sometimes simplistic lyrics.

The Expanders have been working on their strictly roots sounds on the west coast for most of the decade. It all pays off on Hustling Culture, which finds their three-part harmonies polished, their rhythms relaxed and flexible, and their songwriting honed to a fine point. They've come a long way and this delightful album, which feels both familiar and fresh, goes down easy.

London's Prince Fatty is another roots specialist, especially on the dub side, and has been the perfect production foil for the brilliant Hollie Cook in the last few years. The Clone Theory finds him teaming up with Mad Professor for an in-depth exploration of analogue dub techniques. While there's nothing that will make Lee Perry quake in his shoes, the Prince and the Professor have a few tricks up their sleeves. Good fun.

Reggae Angels, from the west coast like The Expanders, have an extremely smooth take on classic reggae. Although they've been at it for over 20 years,  The Way is my first encounter with them. There's an optimism and positivity to the lyrics that is almost over the top, like listening to a self-help book ("If you work as a janitor, do it in an excellent way..."), but when you have bass, drums, etc. provided by Sly & Robbie & The Taxi Gang it almost doesn't matter what you're singing about.

Lovers Rock, Reality, Reissues
 


My favorite single-artist reggae reissue this year was Linval Thompson's Don't Cut Off Your Dreadlocks from 1976. His sweet voice can deliver both lovers rock and message songs and with Bunny Lee producing and King Tubby mixing there's no way he could lose - and he doesn't. 

Speaking of Bunny Lee, Pressure Sounds has created a superb collection called Next Cut! with the subtitle Dub Plates, Rare Sides and Unreleased Cuts - and that's exactly what you get. Everything sounds fantastic and there's even some studio chatter to remind you that there were living human beings behind these monolithic cuts. 

Adrian Sherwood also knows how to carve a sound out of stone. Singers & Players was one project among many but probably cooked up the most satisfying reggae to come out of Sherwood's London-based On U Sound studios. Their 1981 debut, War Of Words, showcased Jamaican transplants like Bim Sherman and Prince Far-I on vocals over avant grooves provided by British post-punk luminaries. It was a mighty tasty recipe indeed and sounds especially great on this year's vinyl reissue. If you're looking for another slab from these guys, check out the War Of Version EP, part of a series of 10" Disco Plates from On U Sound.

King Jammy's Roots, Reality And Sleng Teng is a nice window into the transition from roots reggae to dancehall. At two discs it's a little padded out but still great. And while you're trying to get Under Mi Sleng Teng out of your head again, read this awesome article about how its riddim came to be.

Speaking of riddims, honorable mention goes to Original Stalag 17-18 and 19 (pictured above), which I scooped up at the Brooklyn Flea Record Fair earlier this year. It features 10 takes on Winston Riley's mighty Stalag riddim, including Tenor Saw's classic Ring The Alarm, and is thus one of the all-time great party records. The cover is, unfortunately, uncredited.

Here's a playlist to get you started:




You might also enjoy:
Best Of 15: The Top 20
Best Of 15: Out Of The Past

Coming soon, Hip Hop, Classical & Composed, Singles & EP's, and Best Of The Rest.

Thursday, July 23, 2015

Summer Party Mix: Short Takes, Singles, Etc.



It's summer, prime mixtape season, so here are some short takes on recent albums and singles with party potential that should soundtrack your next shindig.

Donnie Trumpet & The Social Experiment - Surf While we wait for Chance The Rapper to follow up Acid Rap we can enjoy this sunny and eclectic group effort from him and his buddies (some of them famous, like Busta Rhymes and Janelle Monae). Perhaps some of the positive vibrations are little more than bromides ("Just be you!") but it's hard not to be infected by the joyous spirit that runs through Surf. With darkness emanating from TV's and headlines everywhere this is a welcome dose of sweetness. This is free on iTunes so don't hesitate.

Beck - Dreams Well, he said the next one would be different. After the triumph of the GRAMMY-winning Morning Phase (also my #2 album from 2014), the world was Beck's oyster and he's found a new direction: polished dance-pop. While that might make you think that this notorious appropriator is being cheesy and ironic, Dreams is beautifully produced and seems completely sincere. It's delightful. I think when he performs at the GRAMMY's next year, the Twittering masses will remember who he is.

Shamir - Call It Off This young singer/songwriter from Las Vegas is getting a lot of attention and rightfully so - he's bursting with talent. After a time playing country, he's thrown his lot in with a brand of stripped down electronic R&B that at its  best is irresistible. Call It Off is the most appealing song for me, an addictively danceable kiss off that will have you moving no matter where you are. Give his album Ratchet a try, too - there's some depth there. Shamir is one to watch.

Alekesam - All Is Forgiven I heard this haunting dub-inflected beaut on an episode of Don Cheadle's excellent House Of Lies. Turns out Alekesam is the duo of Sal Masekela and Sunny Levine, the respective offspring of Hugh Masekela and his collaborator Stewart Levine. So it's in their blood - get transfused.

Holly Herndon - Morning Sun A lot of the talk about Herndon focuses on her process. While it is interesting to learn how she uses natural and found sounds to create electronic textures, it doesn't always pay off for the listener. I could scold myself for a lack of commitment - or I could just dial up Morning Sun, the sleekest song on her album Platform. Who's going to pony up the remix? Breton - you in?

Vince Staples - Summertime OK, I know you can't dance to this moody one-off from Staples' interesting debut - but you need a song to listen to after (most of) your guests have left. Even if his ambition to "be Pink Floyd" is yet to be realized, the mere fact of it is to be celebrated. This could be forever, baby...

A$AP Rocky - LSD That Pink Floyd reference might make more sense on this woozy wonder (the Gaspar Noe-influenced video is aces, too). Can't say I've ever taken the A$AP world domination plan very seriously (RIP A$AP Yams), but Rocky keeps getting better. There's other good stuff on At.Long.Last.A$AP, too, but this is classic. 

Run The Jewels (feat. Cuz) - Bust No Moves Whaddya know, even El-P and Killer Mike are getting a little spacey. But Mike's verse is as down to earth as it gets on this great jam - originally a Record Store Day exclusive.

Raekwon (feat. Estelle) - All About You This lush gem has been floating around for a couple of years and is now a high point of the album Fly International Luxurious Art. It borrows some of its drama from the Isaac Hayes school - kudos to producer Jerry Wonda - and Rae and Estelle pair up nicely. While not a classic, there's other good stuff on the album as well. 

Alessia Cara - Here The borrowing from Isaac Hayes is more explicit in Here, as Cara draws on the same Ike's Rap sample that fueled trip-hop classics by both Tricky and Portishead. Here is an ode to introversion that I can relate to, but the passion in Cara's voice means she really wants to connect - and she does

Singers & Players - Reaching The Bad Man This dubby conqueror is just one of many great tracks on Sherwood At The Controls Vol. 1 1979-1984, a killer compilation of some of Adrian Sherwood's great post-punk productions. Singers & Players was Sherwood's super-group featuring Jamaican eminences (Mikey Dread, Bim Sherman) and British avant gardists (Ari Up, Keith Levene), a fruitful blend indeed. Want more? Grab this deadly mix from Test Pressing.

Jahdan Blakkamoore - Sweetest Ting The Guayana-born Blakkamoore has the perfect voice for post-dancehall digital reggae, burnished and powerful but capable of both delicacy and joy. This song is the purest dose of sunshine from his third album, Order Of Distinction, but there's more to love there and on his earlier records. 

Buena Vista Social Club - Lost And Found This mix of thrilling live performances and nearly top-flight outtakes is the perfect hit to quench your nostalgia for when nostalgic Cuban sounds burned up the airwaves. It's a really good time and can add spice to many a mix. Right now I'm hooked on Tiene Sabor, featuring the ever-magnificent Omara Portuondo.

Various Artists - Next Cut! Yet another devastating collection of reggae rarities from Pressure Sounds, focusing on sounds from Bunny "Striker" Lee & Friends. Take your pick for your mix. 

The Notations - Still Here (1967-73) NĂºmero Group has made their name with dozens of releases bringing obscure soul music to light, as they do on this great single-artist collection. The Notations might not be The Temptations but they had a lot to offer - one listen to I Can't Stop should make you a fan. 

Fetty Wap - Trap Queen I heard the executors of Francis Scott Key's estate petitioned to have this become the new American anthem, but Soulja Boy voted them down. Sour grapes, I say. 

Your Old Droog - Kinison There was a brief period where a dash of mystery had people wondering if this was Nas in disguise. Now we know he's his own man, as this pop-culture obsessed album demonstrates. He can be funny, as on Gentrify My Hood, or blithely vicious, as on Homicide. He does have some of Nas's crisp New York flow, which could make it easy for that legend to imagine biting some of the excellent beats by El RTNC and others - better be careful, boys. Also give an ear to The Nicest, a six-track EP that just came out. Busy man - get busy catching up.

Check out my playlist featuring all of these plus a few assists from the best records of the year. What's grooving you?